To follow the historical evolution of the Ethiopian political space, production within what is now Eritrea is sometimes included, particularly for Aksumite and medieval times, but this bibliography cannot be considered comprehensive for more recent arts in Eritrea. Christian art forms have been studied more than other material, but in this bibliography they will be proportionately less represented in order to provide sources for various other fields that have received less scholarly attention. Therefore, this bibliography reflects neither the number of surviving artworks nor the number of the studies done. Furthermore, there is no general overview of all the topics addressed in this bibliography, but such overviews are sometimes existing for subtopics. It must be noted that while Ethiopian names are composed of a personal name followed by the name of a person’s father, in publications and library catalogs the personal name is sometimes taken on as a surname, while sometimes the father’s name is used in this way. Systems of transcription also vary, so diverse spellings will appear in this bibliography.
In addition to international conferences on Ethiopian studies, specific congresses dedicated to art have occurred since 1986. They were organized first at the instigation of the historian Richard Pankhurst, founder of the Institute of Ethiopian Studies (IES) at Addis Ababa University, and Stanislaw Chojnacki, keeper of the IES Museum until the revolution, who were both prolific writers on Ethiopian art and history. First focusing on Christian art, the proceedings of these conferences addressed very specific points and do not provide any general overviews. They show, however, a field of study and how this field is pragmatically defined. If these conferences have not always gathered every art historian who is a specialist on Ethiopia, they do give good insights into scholars interested in the field at least at one point in their careers, and thus provide a list of scholars to follow.