I’m so happy to be here!
According to the Ethiopian Demographic and Health Survey in 2016, 30 percent of Ethiopian women do not make decisions on individual and family issues. Instead, their husbands make decisions for them on choices including the option to use birth control methods, and whether to give birth in a health facility or seek the assistance of a trained provider. Additionally, harmful traditional practices—early marriage and childbearing, female genital mutilation and gender-based violence—all having adverse effects on Ethiopian women. Through the President’s Emergency Plan for AIDS Relief (PEPFAR), we address the HIV risks associated with early marriage. We also provide medical assistance for women and girls suffering from fistula—a birth injury common in very young mothers—and educate communities about the health risks of female genital mutilation. To boost maternal and newborn health, we support primary health care to end preventable child and maternal deaths and teach women about nutrition.
There are very few remains of Christian Aksumite art, but from the 13th to the 20th centuries, there was an uninterrupted production of religious paintings and church buildings. Islam spread to this part of Africa from its beginnings, and Muslim sultanates developed from this time in the eastern region and then most specifically around Harar, from the 16th century onward. At the end of the 19th century, Menelik, King of King of Ethiopia, expanded the southern part of his country, doubling its size. Limited bibliographical information is presented here for artistic productions in this part of this modern nation. In fact, the geographic areas covered by this bibliography vary according to the period. For prehistoric art, we give examples in the whole Horn of Africa, which is the scale at which the specialists of this region are working. To follow the historical evolution of the Ethiopian political space, production within what is now Eritrea is sometimes included, particularly for Aksumite and medieval times, but this bibliography cannot be considered comprehensive for more recent arts in Eritrea